Lab Thoughts

APAC-first practitioner intelligence on the screen industry.

Lab Thoughts follows screen culture, market signals, and platform behaviour to the business reality underneath. New piece most weeks. Free. Hosted on Substack.


Five places to start

  • Animation's real shift is not aesthetic. It is infrastructural.

    April 2026

    On YouTube, IP validation, and what changes for development when audience formation moves upstream of the commission. The Glitch Productions case carries the Australian signal.

  • Asia's next drama studio is an IP machine.

    April 2026

    StudioMonowa is the cleanest visible signal that premium Asian drama is being rebuilt from a commission-to-export business into upstream IP architecture. What this changes for producers in Australia, India, and Southeast Asia.

  • Australia has the stories. The machinery is somewhere else.

    May 2026

    Bluey is a system speaking honestly about itself. The supply side has scaffolding. The retention architecture does not. What value capture would actually require, and where the policy conversation is still avoiding the question.

  • YouTube paid out more than Netflix spent.

    April 2026

    Two completely different theories about when money should move and who carries risk in the meantime. Why the framing of platform size misses the point, and what the India performance layer makes available to producers willing to take audience risk first.

  • Who pays for the story.

    March 2026

    Netflix, the Australian Content Rule, and a structural opening for branded co-financing that the screen industry has spent a decade learning to be allergic to. The compliance pressure changes the question.


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Lab Thoughts is published under my editorial direction. The work is APAC first. The geographic lens is Australia, India, and Southeast Asia, with global references used only when they sharpen the regional point. The publication is read by producers, development executives, rights and distribution professionals, and brand-content leads working on live projects.