Narrative as commercial architecture
A story is also a proposition. The question is not only whether the material works, but whether it can be read, defended, financed, packaged, and chosen.
I work where story, rights, positioning, buyer logic, and audience pathway meet - helping screen projects become clearer before teams spend months refining the wrong version of the opportunity.
Lab Thoughts follows screen culture, deals, platform behaviour, and industrial contradictions to the business reality underneath. New piece most weeks.
When brands enter documentary, the real negotiation is control, credibility, and downstream value
Two infrastructure launches in two weeks point to what the MPA 2026 numbers are really tracking. Connected TV inventory is becoming the unit of value across the screen economy.
Three regions are reorganising around screen value. Australia is producing the work and watching it travel.
The work is not generic consulting and it is not abstract creative commentary. It is decision support for the moments when a project has promise, pressure, and an unclear route to market.
With Pitch Design, Research & Development, Marketing & Sales Strategy, Distribution. A concise record of support across recent ANZ factual and documentary work.
I work selectively with producers, development executives, distributors, and brand-content leads on upstream strategic problems: packaging, rights logic, buyer positioning, audience pathway, and brand-entertainment translation.